Angeltape – Drahla
- Lucy Foster
- Jul 13, 2025
- 1 min read
I came across Drahla for the first time in 2018 – it was one of those rare late night Youtube discoveries where you strike gold and can’t quite believe that you’ve found your new favourite band. These Leeds-based art-rock experimentalists are making their long-awaited return with their second record, ‘angeltape’ which fills me with nothing but pure excitement. ‘Angeltape’ has been described as an ‘avant garde document of the events that unfolded over the five-year gap between records‘ and ‘delving into themes of grief and trauma whilst simultaneously celebrating moments of sentimentality and support during difficult times‘, ‘angeltape’ shifts between being a challenging, comforting, and ultimately rewarding record for both artist and audience.’
Drahla are the epitome of a totally underrated band, despite building a reputation over the years for their energetic live performances. They have shared the stage with notable acts like Buzzcocks, METZ, Ought and Parquet Courts. There is something undeniably special about this band, and every time I hear a new release from them, I find myself muttering those same words. How are they not enormous?! Although, I am slightly smug about keeping them very close to my heart.
Their music is groovy, ominous, and perfectly angular, with layers of intense grungy riffs, solid drumming, and melodic yet unassuming lyrics – a winning combination that satisfies all of my musical cravings. The vocals strongly remind me of 80’s New Wave favourites The Waitresses, while the music carries hints of Sonic Youth, Palm, and FWES. However, even with these influences, Drahla manage to sound completely and utterly original.
Lucy Foster, 2024


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